Thursday, February 17, 2005

Connection Between Gates and Canopies for First Night 78?

Canopies for First Night 78

Canopies for First Night 78 copyright Hera January 1, 1978
2 canopies 250' long x 10' wide commissioned by First Night
nylon spinnaker cloth procession rehearsal on Boston Common


A couple of months ago I spoke to Christo when he was giving a talk at
Cooper Union. I asked him when he designed the Gates. His answer was
1979. Then I asked if he remembered seeing my "Canopies for First Night
78" at Midnight on the Boston Common January 1, 1978, and if he
remembered asking me questions about how I "made them work." He was
unwilling to answer my questions and hurried away....The truth of the
matter is that he was (to put it tactfully) inspired by seeing the Canopies.

In today's art world, people do not acknowledge sources for their work
as was the tradition in the arts for centuries. I have discussed this
with artists and critics, supporters and friends. The last artist that
they remember giving attribution was De Kooning. At their encouragement,
I am sending images of the source of Christo's piece (the "Canopies for
First Night 78") to appropriate critics.

Christo's Gates are a static take-off from the fluidity of the two 250'
long 10' wide nylon spinnaker cloth Canopies which I designed. This
stasis is predictable when one takes a design which was meant for fluid
movement and makes it stationary. On First Night the Canopies were
carried from two different directions to meet at the Boston Common at
midnight. They were a huge hit. Revelers were so eager to be a part of
the action that they took the Canopies away from the 60 bearers I had
chosen, and carried the Canopies themselves. There were thousands of
people on the Common that night. The Canopies were written up in all the
Boston papers, Time magazine, and by Lucy Lippard in the November 1981
issue of Art in America: "Another outlet is the community festival like
those...by Hera, whose First Night '78 consisted of a canopied sculpture
accompanied by a torchlit procession through the Boston Common on New
Year's Eve..."

In 1982 Parks Commissioner Gordon Davis wrote a 251 page official
refusal to have The Gates based on solid environmental concerns. Our
current political climate admires business and development. In this
atmosphere The Gates are more acceptable. The great part of the appeal
of The Gates lies in the huge publicity effort Bloomberg has carried
out. As we know all too well, people are much more comfortable going
with a name brand.

As a responsible artist who believes in attribution of artistic sources,
I feel it is appropriate for Christo to credit the Canopies for First
Night '78 as the source of his inspiration. Anyone is free to use the
enclosed photo if attribution is given: "The Canopies for First Night
78" copyright Hera 1978... designer/sculptor/procession leader.
Thanks for your interest.

Please feel free to call or e-mail me with any questions you may have.

Hera
145 Cold Brook Road
Bearsville, NY 12409
hera @ netstep.net
(845) 679-4439 vox
(845) 679-4441 fax
http://www.hera-sculpture.com

3 Comments:

Blogger Blogster said...

THIS IS AN OUTRAGE!Christo tries to make everyone believe he is the most original artist in the world and he ripped you off! You piece was far superior in my opinion as the people participated and it was an event.

This means Christo is a phony!

HOW MANY OTHER CHRISTO PROJECTS WERE COPIED FROM OTHER ARTISTSYou must get this to Olbermann, he hates the gates! He said they were dead, inanimate, whereas the people carrying them in your original version make them ALIVE.

"As I said on Countdown Thursday, they look like a terrible mistake of some sort -- like somebody was trying to build something and ran out of money. I expected then that the vast billowing orange bed-sheets still to be hung, would make Central Park look like it was filled with the rotting shells of giant lobsters.

Turned out I was being kind.

When the wind is calm, the fabric hangs there looking like nothing less than highway maintenance or detour signs with their messages covered over. When the breeze flutters, they resemble ugly, cheap, plastic shower curtains, stolen from some $29-a-night motel, drying on somebody’s backyard clothesline."

I have an idea for you. Instead of sueing the bastard, why don't you organize your Hera processions in all the big cities and get a big wash off of all this publicity and make MONEY! I'll be your manager, honey!

After all, he can't sue you!! You would make an awful lot of money if you get started right away and put up a Web site and a press release. You must already know who to contact in the big cities, no? Little cities too.

8:52 PM  
Anonymous Anonymous said...

I saw the gates and loved them!! Why the outrage now? The Gates have been in process since 1979, and have been very visible to all the art world. 26 years is a long time to wait to finally cry wolf! You as an artist know that nothing is ever truly new- all art is a compilation of all that has gone before. How "original" is the rest of your art?

5:27 PM  
Anonymous Frank Pane said...

Let's see if I've got this right- you're concerned that Christo absconded with your "original" idea? What "original" part concerns you? The part where people run around with a long cloth drape on New Years Day? I think the Chinese dragon trains were there first! How about the flaming orange color? Calder's orange sculptures were there long before '78. The point? Artists see other's works and use them as springboards- always have- always will.

5:46 PM  

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